Q&A with Joy: A Reiki Error Which Was or Possibly Was Not Reiki

April 22nd, 2013

New feature on Completely Joyous! I’m now going to be offering short answers to questions that you ask! Students and colleagues ask me questions about tarot and Reiki privately and I’ve often thought that other people might want to know the answer, but it doesn’t take a whole blog post to explain the topic. So now you can find short and sweet answers to common questions right here!

Q&A with Joy

Nina, from one of my Okuden classes, asked this question. My answer was not as short as it might usually be–the topic let me explore some other ideas I had been thinking about opening  up for discussion with my current Okuden class. I’d love to hear your thoughts and responses in the comments!

This is Nina’s question:

Remember the other night when I worked on your feet and I sensed that maybe you needed grounding (which may or may not be true but doesn’t just everybody anyway?) I thought what would I do in that situation which happened to be run red roots from each foot down into the soil and breath the energy up into the body.

This occurs to me to be that that was not really Reiki as Reiki energy goes where it needs to go not where I boss it around for it to go. If it wasn’t Reiki, what modality was it or was it something I just made up?

And here’s my answer:

Hi Nina! I think this is a great question!

There are a lot of layers to this and I think it’s important to dig down fairly deep to find the best answer.

First, utilizing visualizations for healing is an age-old energetic practice. That was actually one of the first healing practices that I learned, although it wasn’t something I had practiced very regularly before I learned Reiki. You could have learned this spontaneously (made it up as you say) because all knowledge is out there for any one of us to tap into when we need it. Or maybe you picked up the kernel of it from me at some point through the energetic exchange of the Reiki initiations. Doing a tree visualization is something that I learned for grounding back when I was in college, and I used to lead a tree meditation (roots, branches, trunk) for the Okuden class as one way to approach the idea of the three diamonds. I’m not sure I did it for your Okuden class though, since we’d moved on to the new syllabus. Maybe I should reinstate it!

Certainly tree meditations are not a part of traditional Japanese Reiki, so in that sense, no, this isn’t a traditional Reiki technique. But what is a part of the traditional style is working intuitively, and that’s what you experienced during the session, an intuition to add a visualization to reinforce the hands-on work you were doing at my feet. Prior to learning traditional Japanese Reiki, I used to do a lot of visualizations with the sessions, as that is always what came to me. If I were to do a visualization for grounding someone, and I’m not sure how you did it, but instead of seeing the roots come from their feet, I would see the roots going from my feet into the ground, and invite the recipient energetically to share in that experience–to me it’s less bossy, as you say. It’s the difference between saying, you should do a root visualization to ground yourself and saying, when I need to ground myself I like to do this.

The other thing to point out is that there is a traditional Reiki visualization you can use: the symbols. And since symbol 1 is earth energy, drawing or seeing that symbol and feeling the associated energy of it in your body would be a traditional way of adding a visualization into your session.

The next layer is, when are we being intuitive and when are we being bossy, or imposing our own limited understanding of what is best for the person? Of course, the intention that Frans Stiene of the International House of Reiki teaches is “may this person receive what they most need at this exact moment in time.” I utilize this intention throughout the session, but specifically if I ever do a visualization, I add this intention as well so that what is most needed comes through, regardless of whether or not I have the capacity to perceive or understand it.

The last layer that I see arises from the question of engaging with the recipient intuitively and not from a place of ego-involved authority. The more we think about our session and the more we place our awareness in the mind in order to do the work, the less we are engaged with Spirit, or the Source of Life, or the Great Bright Light, which is the place of Reiki healing. In many ways, I think it is best to do sessions completely disengaged from mental analysis. But that’s not always easy to do. And sometimes there can be benefits to engaging our sense of perception, as we learned on Thursday with the Biosen Reikan Hô technique. As I see it, the trick is to allow the mind to become engaged without employing judgment. The acts of analyzing, qualifying and assessing are highly prized in our society and those processes are instilled and reinforced in us throughout our lives. So to be able to sit back and observe without judging can be difficult–but that’s one thing we practice when we do our meditations. And this is why we teach Biosen Reikan Hô together with Reiji Hô. The key to working intuitively is to be guided by Spirit, and Reiji Hô is exactly that, saying, I bow my mind in respect to the higher truth of Spirit.

So to bring this back to your question, I think what is really at stake here is the ability to translate Spirit. When we do our work purely in the space of the great light, no translation is needed and the energy does what it needs to do and goes where it needs to go. But sometimes we receive the intuition to take a certain action or perform a certain technique. In that case we are translating from Spirit, unlimited and perfect, into our own understanding or interpretation of Spirit, resulting in a limited and imperfect action. As long our intention for the recipient to receive what they most need is clear and our connection to Source is clear and unencumbered by our personal junk, then our imperfect actions reflect the perfection of Spirit and we allow Spirit to work through us. And the way you translate Spirit might not be the same way a modern Japanese person would translate Spirit nor is it how Usui-sensei would have translated Spirit. But that doesn’t make it wrong or untraditional or an error. You’re doing a translation from Spirit, not adding your own personal commentary. But sometimes doing the translation requires us to use our own vocabulary when there is a choice of several ways to express what is being said. So when Spirit says some Spirit-language vagary that might translate as “ground” or could be “like roots into the earth” or maybe something totally different, all you can say is, this is how I understand this to be, and I want to share with you what I’m receiving from Spirit. And sometimes things are lost in translation. And sometimes things are gained.

***

If you want to ask a question about any tarot or Reiki technique or metaphysical philosophy, please feel free to ask it in the comments! You just might see an answer from me in the very near future!

_________________________________________________

Joy Vernon is a Certified Professional Tarot Reader and Reiki Teacher in Denver, Colorado. Her specialty is the Empyrean Key Transformational Guidance, which combines energetic and esoteric modalities to help her clients break through blocks and align themselves with their higher purpose. For information on upcoming classes or to schedule an appointment, please visit JoyVernon.com.

© 2013 by Joy Vernon. All rights reserved.

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Q&A with Joy: Jumper Cards

April 15th, 2013

New feature on Completely Joyous! I’m now going to be offering short answers to questions that you ask! Students and colleagues ask me questions about tarot and Reiki privately and I’ve often thought that other people might want to know the answer, but it doesn’t take a whole blog post to explain the topic. So now you can find short and sweet answers to common questions right here!

Q&A with Joy

Today’s question comes from Janet from one of my meetups. Her question is:

Joy, I was doing a reading for myself and I was shuffling the cards. I was going to use the Past, Present, Future spread but prior to getting that far while I was shuffling the cards one flew out. Is this particular card the answer to my question or should it be in a specific place in the spread?

And here’s my answer:

Hi Janet! To answer your question, many people consider flying cards or “jumpers” to be significant. One teacher I know says, “If it goes to the floor, it comes through the door.” Personally, I don’t use jumper cards. The reason is that I’ve noticed for myself that when I get jumper cards I tend to be not very focused, and I want to be focused when I’m doing my readings. So if I get a jumper, I simply put it back in the deck, without looking at it if possible, and re-center myself. Then I continue shuffling in a more calm manner and cut the deck and deal out the cards from the top. It’s really up to you what feels right to you! I’d try it both ways and see what gives you a clearer answer.

***

If you want to ask a question, please feel free to ask it in the comments! You just might see an answer from me in the very near future!

_________________________________________________

Joy Vernon is a Certified Professional Tarot Reader and Reiki Teacher in Denver, Colorado. Her specialty is the Empyrean Key Transformational Guidance, which combines energetic and esoteric modalities to help her clients break through blocks and align themselves with their higher purpose. For information on upcoming classes or to schedule an appointment, please visit JoyVernon.com.

© 2013 by Joy Vernon. All rights reserved.

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Dancing Between Light and Darkness

March 20th, 2013

Welcome to the Tarot Blog Hop!

An international group of tarotists are all writing on the same topic and then linking to each other so that the reader can hop from one blog to the next, seeing all the permutations and facets that the topic inspired in different writers. You can leave my blog and hop back to 78 Keys to Creativity by Sharon Cumming. Or read ahead here and then hop forward!

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Dancing Between Light and Darkness

Occasionally a tarot spread will use a crossing card, a card placed horizontally. There are a variety of ways to interpret this placement. I was taught that the upright card represents the descent of spirit, the yang (active or directive) polarity, or striving upward. The crossing card, the horizontal energy, represents the yin (passive or receptive) polarity, limitations, being bound, or the material plane. When I looked at these basic concepts as I was taught them more than two decades ago, and then added in the consideration of the equinox and the balance of light and dark, I saw the vertical card as the tropical or turning force of the solstice and the horizontal card as the evenness and balance of the equinox. The upward card seeks to change, while the crossing card seeks to maintain.

The upright card could also be seen as the solar influence whereas the crossing card represents darkness. The horizontal card could alternately be considered the dawn, or the point of change between day and night. It can be seen as the pivot point of the beam of a scale. When looked at this way, the crossing card can even be the point at which the upward card changes. It’s interesting to look at when this maintenance card, the card that strives to keep its balance, shifts to a changing point: when do the scales tip.

The Tipping the Scales Spread

 

The Tipping The Scales Spread explores where we are striving, growing or wanting to overthrow something, contrasted against that which is keeping us even and balanced, what seeks to stay the same or what is trying to prevent or slow down the change.

Card 1. Pillar. Forces that seek change.

Cards 2 and 3. Pans.  The forces that shift us one way or the other or which are unequally balanced.

Card 4. Beam. The forces that seek stability.

Your Next Stop

Hop off my blog and onto Kismet’s Companion by Vivianne or visit the master list of all the blogs.

Previous | Master List | Next

_________________________________________________

Joy Vernon is a Certified Professional Tarot Reader and Reiki Teacher in Denver, Colorado. Her specialty is the Empyrean Key Transformational Guidance, which combines energetic and esoteric modalities to help her clients break through blocks and align themselves with their higher purpose. For information on upcoming classes or to schedule an appointment, please visit JoyVernon.com.

© 2013 by Joy Vernon. All rights reserved.

 

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Becoming One with the Precepts

February 28th, 2013

Last week in my Shoden (Reiki 1) class, we were discussing the precepts and practicing various methods of meditating on them, including the practice of speaking the precepts energetically from the hara, or the energy center in the belly. The perennial discussion regarding the imperative voice of the precepts (see my blog post, The Imperative Precepts) came up: the precepts were written by Usui-sensei and given to us essentially as a set of rules and so use the imperative mood. Imperatives are commands and have the implied subject “you.” This becomes clearer when we get to the precepts which use a personal pronoun—“Be honest in your work.” “Show compassion to yourself and others.” Most people want to reword these as “my work” and “to myself.” I think this change is fine and support my students who want to recite the precepts that way. But that’s not how I say them and last week I got some new insight into the importance of leaving them as they are.

When considering the full text of the precepts, which includes some additional descriptions and instructions beyond the five principles themselves, it is clear that Usui-sensei is saying this to his student. So even from my first Reiki initiation, I always felt like it was my teacher saying these to me, not me saying them to myself. Luckily this allowed me to be comfortable with the wording and I never had a feeling of wanting to change it.

During our discussion, one of my students made a comment about ego. I misunderstood her, but in the process created a new understanding of this issue. One of the precepts is “be humble” (based on different translations, it seems this means to show gratitude and respect to others). As Reiki practitioners, we’re always trying to release the self so that we can become one with Spirit, the source of the spiritual energy. We always try to remember that we are not making assessments or judgments; we are not healing, clearing or balancing. The energy naturally seeks a place of balance and we all are perfect and whole when we are one with the great bright light. The idea of being humble is clear to us: it is not for us to take on the responsibility of control.

But yet it is common for those who embrace humility to then take responsibility for their flaws. This seems pretty reasonable, doesn’t it? But here is where true humility must start. We must also release our pride in being sinners. Even as we release our pride of being powerful, we also release our pride of being ineffectual. So often it is easy to get stuck in a binary philosophy: If I release my power, control and arrogance, then I will become modest, self-effacing, even inept. Certainly this is not the way to become one with Spirit! When we are stuck in binary thinking then it’s always a case of either/or. Becoming one with Spirit allows us to see the ebb and flow of all things, the impermanence of all things—the impermanence of our power and the impermanence of our incompetence.

Like stars, mists and candle flames

Mirages, dewdrops and water bubbles

Like dreams, lightning and clouds.

In that way I will view all existence.

In a way, taking the responsibility of changing the precepts to the first person could be considered an egoic act. “I sure can get angry! I am a great worrier! I am lazier in my work than anyone I know!” It becomes quite the parody when presented like this, but how often have you seen others, or observed in yourself, just this kind of sly self-aggrandizement? By leaving the precepts in the second person, we can hear Usui-sensei saying them to us, we can hear our teacher saying them to us, we can hear our higher self saying them to us. And we simply bring awareness to these issues—certainly these principles are common issues that come up daily!—rather than bringing control to them.

Once I had finished my verbose response to the student’s comment about ego, she said, “That’s not what I meant.” She went on to explain that she was using the word “ego” not as “sense of self” but as the mind, the source of the ego. She suggested that when we approach the precepts from a place of intellect, discussions such as this will arise as we try to force these spiritual concepts into ill-fitting mental confines. However, when we say the precepts from the hara, from our energetic source, the healing of these principles takes over and grammatical peculiarities and translation inconsistencies fall away as we become one within ourselves, with our teachers, with Usui-sensei, with Spirit. We become Usui-sensei who gives the precepts; we become the student who receives the precepts.

When the precepts arise from healing energy, they are healing and we become whole, we become one, giver and receiver, ebb and flow.

_________________________________________________

Joy Vernon is a Certified Professional Tarot Reader and Reiki Teacher in Denver, Colorado. Her specialty is the Empyrean Key Transformational Guidance, which combines energetic and esoteric modalities to help her clients break through blocks and align themselves with their higher purpose. For information on upcoming classes or to schedule an appointment, please visit JoyVernon.com.

© 2013 by Joy Vernon. All rights reserved.

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In the Belly: Finding the Muse Within

February 1st, 2013

Welcome to the Tarot Blog Hop!

An international group of tarotists are all writing on the same topic and then linking to each other so that the reader can hop from one blog to the next, seeing all the permutations and facets that the topic inspired in different writers. You can leave my blog and hop back to Priestess Tarot by Louise Underhill. Or read ahead here and then hop forward!

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In the Belly: Finding the Muse Within

Brigid is one of my favorite goddesses. She is the Celtic goddess of healing, poetry and smithcraft. I always loved celebrating her festival in February and I once served as one of her Flamekeepers. Having written verse since I was a kid, I always found a connection with her as the patron of poetry, but I wonder if my devotion to her perhaps led me to the healing modalities that I practice and to the jewelry making that has also become a hobby of mine.

Brigid is a fire goddess whose sacred flame in Kildare was once tended each day by one of nineteen priestesses. On the twentieth day Brigid tended the flame herself. Nineteen is her sacred number, and significantly relates to the synchronicity of solar and lunar time measurements: The monthly lunar cycle starts at the same time as the solar year once every nineteen years. For instance, to use our common calendar, there will be a new moon on New Year’s Day next year, 2014, and there was a new moon on New Year’s Day nineteen years earlier in 1995 and will be again 19 years later in 2033. To use a different example, 2014 is also the year in which we have a new moon on the winter solstice, as we will have again in 2033.

Nineteen is the number of the Major Arcana Sun card. This reminds us of the nineteen year cycle for the Sun and Moon to coincide. In astrology, the Sun, also known as Sol, represents how we see ourselves, while the Moon, Luna, is our secret or inner self. Common symbolism for Sol and the tarot Sun card include knowledge, reason, logic and science—things that are in the light or readily apparent. Luna and the Moon card represent things that are obscured or hidden, which brings about common symbolism such as illusion or deception. But the symbolism also includes that which cannot be known through reason or logic, bringing in the meanings of instinct, intuition or psychism. In essence, one set of meanings for the Sun would be following what is reasonable and making analytical decisions, while the Moon can represent following an inner sense of truth that can’t be supported by external logic.

Another common set of meanings for the Sun and Moon is the cycles they represent. The Sun can represent one day, the natural diurnal cycle of Sol’s death and rebirth. It can also represent one year, focusing on the waxing and waning cycle of the sun’s annual potency. The Moon on the other hand represents about twelve hours, or approximately the amount of time to go from low tide to high tide. The Moon will also represent one month, or the complete lunar cycle. The Moon can also represent the human gestational cycle, nine months. The birth process, moving from darkness into light, is sacred to Brigid. She is the patron of newborn babies and midwives. One of her rituals involves stepping through a woven straw loop as a symbol of rebirth.

In addition to fire, the almost opposite symbol of a well is attributed to Brigid. Wells plumb the depths of the earth, bridging inner and outer, creating a way to gain access to the hidden life-sustaining waters. The images of the solar fire and the lunar water connect in Brigid’s symbolism, supported by her sacred number nineteen. The synchronization of the solar and lunar cycles is in and of itself a symbol of rebirth: a cosmic new moon.

So often when we look for inspiration we look outside. We think of our connection to the Divine or our Higher Self or even our Muse as being something beyond us or outside of us. In Traditional Japanese Reiki, we are taught as our very first meditation to bring our breath and our awareness to the hara, which means belly and is considered the primary energy center of the body. This energy center is considered the source of our own original energy, given to us by our parents at conception. They received their energy from their parents, and so on. Therefore the energy center in the belly also links back to our ancestors. When this energetic lineage is extended far enough, we discover at some point our connection to the Divine, the Source of Life itself. In this philosophy, we are taught to look within to discover our connection to Spirit.

Likewise, the rituals of Brigid find our connection within. It is traditional to walk counter-clockwise (moonwise) around St. Brigid’s Well to find harmony within yourself and within the universe. Whereas working clockwise or sunwise in ritual is considered to expand and increase energy, moonwise motion decreases and centers energy, bringing our focus within. This simple ritual releases the external and brings us to our own inner sense of self, and we find our muse within.

The Muse Within Tarot Spread

A simple tarot spread to work with this symbolism would be to lay out four cards while considering what you can release to connect deeper with the muse within.

Card 1 is the first moonwise circle. It is the first thing you need to release to find center. It may be something in your environment or otherwise a big picture thing.

Card 2 is the second moonwise circle you walk around Brigid’s Well. It is the second thing to be released and will be closer to you, something personal in your daily habits or personal environment.

Card 3 is the third moonwise circle. It is the final thing to be released and will be very personal, perhaps a belief or inner thought pattern that doesn’t serve you.

Card 4 is the well itself, the muse within. This is what you find in your center, in your belly when you connect to the divine through the true essence of yourself.

Your Next Stop

Hop off my blog and onto Morgan Drake Eckstein’s Gleamings from the Golden Dawn or visit the master list of all the blogs.

Previous | Master ListNext

_________________________________________________

Joy Vernon is a Certified Professional Tarot Reader and Reiki Teacher in Denver, Colorado. Her specialty is the Empyrean Key Transformational Guidance, which combines energetic and esoteric modalities to help her clients break through blocks and align themselves with their higher purpose. For information on upcoming classes or to schedule an appointment, please visit JoyVernon.com.

© 2013 by Joy Vernon. All rights reserved.

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How to Choose a Tarot Deck

January 31st, 2013

Recently I talked with representatives of a couple metaphysical stores and asked what their bestselling tarot deck was. I thought there would be a “tarot flavor of the month”—an especially popular current deck—but it turned out that both stores sold the traditional yellow box Rider-Waite deck at warp speeds compared to any other deck, with Ciro Marchetti’s Gilded Tarot a distant second place behind the different Rider-Waite editions. At that moment I made it my mission to educate people about tarot decks and how to purchase them.

The Rider-Waite tarot deck, also called the Rider-Waite-Smith (RWS) deck, rightly holds the honor of being the bestselling deck in today’s tarot market. It was developed by scholar and esotericist Arthur Edward Waite, illustrated by Pamela Colman Smith and first published by William Rider & Son of London in 1909. It was the first tarot deck to have scenic images on the Minor Arcana—a revolution that allowed the deck to be read intuitively or as a story book without knowledge of the cartomantic, historical or occult traditions that inform the symbolism.

To read the cards as a story book, which is the best way to learn, you need to start with a 78-card illustrated tarot deck. So, what do I mean by that? A “78-card tarot deck” means the kind that has at least 78 cards (very occasionally an extra card or two will be included) and is called a tarot deck, not a deck of only the Major Arcana (22 cards) or an oracle deck or other meditation deck.

A traditional tarot deck is divided into the Minor Arcana and the Major Arcana. The 56 cards of the Minor Arcana consist of four suits comprised of 14 cards: Ace through ten plus four court cards. The numbered suit cards are called pips. The courts are also sometimes called the courtiers, the Royals, the Royal Family or face cards. The Major Arcana consists of 22 cards, numbered from 0 to 21. These cards are sometimes called Trumps or keys. They represent the journey of the 0 Card, the Fool, through an initiatory process or epic adventure. The Minor Arcana is often said to represent common, daily situations and activities, whereas the Major Arcana is considered to represent more archetypal influences, issues of major importance, or the hand of fate intervening in the situation.

By “illustrated” I mean that the Minor Arcana should have pictures on the cards. Sometimes the old-style, authentic Renaissance-looking decks have what we in the biz call “pips.” Pips are the icons for the suits: the wands, cups, swords, and pentacles (coins). A card with just the pips might look like a modern playing card, with just the designated number of wands or cups, for instance, and maybe some pretty vines, borders or background images, but not any pictures—by which I mean scenes of people in interesting environments, generally interacting with the suit emblems. You want the cards with pictures. I prefer that the pictures incorporate the number of wands, cups, etc into the illustration; for instance, the five of Cups might show a person turned away from the viewer looking at three spilled cups, while two full cups are unseen behind him. However, I have read with some decks that don’t incorporate the suit emblems into the pictures, such as the Victorian Romantic and Nigel Jackson’s Medieval Enchantment Tarot, which still work with most of the techniques I teach.

There are certain 78-card illustrated tarot decks that I don’t recommend to beginning students. These are decks whose mythology is so unique and integrated so completely into the deck that special research is needed—the scenes can’t be read without knowledge of the tradition behind them. For example, a deck based on the Arthurian legends would not be appropriate for someone who is not already familiar with this mythology if they are just starting to learn tarot. On the other hand, the Druidcraft deck incorporates some Celtic mythology which adds to the experience of the deck when learned, but the deck does not depend on that knowledge to make sense. Likewise, if your deck depends on kabbalah, astrology, or any occult symbolism that you are not familiar with, please save it until you are more familiar with the cards. However, a deck like Ellen Cannon Reed’s Witches Tarot uses kabbalah, but the deck is not dependent on that knowledge, so a beginning reader would be able to use it just fine. Along the same lines, although a background in alchemy adds to the experience of reading Robert Place’s Alchemical Tarot: Renewed, the deck is quite readable without that knowledge. If you are trying to learn the cards and learn the mythology at the same time, it’s just extra work for you. Simply having the mythology integrated into the deck is fine, in fact desirable, if you know that mythology quite well, for instance: Lord of the Rings, Alice in Wonderland, Hello Kitty, decks about a specific historical period or fantasy world. Your deck does not have to be a Rider-Waite-Smith clone or derivative!

If you are taking my beginning tarot class, The Magician’s Tools, you do not need to purchase the bound book that is associated with the deck or any books of tarot card meanings. The techniques I teach prepare you to read the cards, not memorize someone else’s ideas of what the cards mean.

I want to stress that it is imperative that you be able to see a deck before you purchase it. In the old days, any good bookstore or occult shop would have an open sample of every deck they carried so that you could look at any and all cards. That way if a certain card makes or breaks a deck for you, you can see that particular card. However, with the inundation of new decks, stores are carrying more decks than ever, and since the cost of tarot decks is kept low by maintaining a low mark-up on them, it is not profitable to tie up a lot of capital in display decks and few stores do this anymore. But there are still some out there that do! Go to a good local metaphysical shop to buy your deck, and make sure to ask if you can open it before you buy it or if they have sample decks for viewing (sometimes sample decks are kept safe behind the counter). Often a store might have a few cards on display if not the whole deck. You can also see sample cards online at many websites, such as Aeclectic Tarot, Isis Books or The Tarot Garden, which usually have images of about six to eight cards. A fantastic way to see a variety of decks is to find a local tarot group, such as a Meetup group, and have a deck show-and-tell night!

When picking a deck, find one with images that really resonate with you. Huge bonus if you feel that you already understand the cards in the deck or if you feel like they talk to you. If so, that is the deck for you!

My first deck was the Barbara Walker tarot. I loved the imagery and symbolism, but was unfamiliar with much of the mythology she referred to and found myself frustrated by having to consult the book too often. My second deck was the Morgan Greer, which I loved from the beginning and found that I could read it perfectly well just based on the card images. To this day, this is still one of my favorite and most reliable decks.

In order to empower new tarot readers to try different decks, I have compiled a list of ten decks, not including the Rider-Waite-Smith, that are suitable for beginners, fairly easy to find, that I like and have worked with, and that my students and colleagues have had success working with. This list is by no means exhaustive, and I had a very hard time cutting it down to only ten decks! Plus there are hundreds of good quality, easy-to-read decks available that I simply haven’t had the time to try, and as good as they might be, I didn’t consider them since I don’t own them. These are all decks that are found in my personal collection.

I created a chart to provide the basic information in an easy-to-read format. I included the original publication date for each deck to give you an idea of how long it’s been around, as well as listing the publisher, author and artist to assist you in locating the decks. The chart indicates whether the cards are strict in following the RWS imagery so you’ll have an idea which ones are the most traditional. I also marked which decks contain no nudity, since that can be an important consideration for some. Lastly, I indicated which decks stray the furthest from the RWS imagery, or use a different system for establishing the card meanings, for those who don’t want to be limited by standard imagery. I included links to the artist or creator of the deck when there was a current, detailed site that also had ordering information on it; otherwise I linked to the publisher.

I would love to know what your first deck was and what you liked about it! Please leave me a comment letting me know what you recommend for a beginning deck, or if you’re brand new to tarot, which deck you plan to make your first!

  Deck Publisher Author/Artist Year Published Pips Are Strict RWS? No Nudity? Not RWS Derived?
1 Morgan Greer US Games Lloyd Morgan/Bill Greer

1979

x
2 Sacred Rose US Games Johanna Gargiulo-Sherman

1980

x
3 Motherpeace US Games Karen Vogel &Vicki Noble

1981

x
4 Tarot of the Old Path AGMüller Sylvia Gainsford /Howard Rodway

1990

5 Robin Wood Llewellyn Robin Wood

1991

x
6 Druidcraft St. Martin’s Stephanie Carr-Gomm & Philip Carr-Gomm/Will Worthington

2005

7 Alchemical Tarot: Renewed Hermes Robert Place

2007

x
8 Legacy of the Divine Llewellyn Ciro Marchetti

2009

9 Lo Scarabeo Lo Scarabeo Mark McElroy/Anna Lazzarini

2007

10 Steampunk Llewellyn Barbara Moore/Aly Fell

2012

x

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Joy Vernon is a Certified Professional Tarot Reader and Reiki Teacher in Denver, Colorado. Her specialty is the Empyrean Key Transformational Guidance, which combines energetic and esoteric modalities to help her clients break through blocks and align themselves with their higher purpose. For information on upcoming classes or to schedule an appointment, please visit JoyVernon.com.

© 2013 by Joy Vernon. All rights reserved.

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Waka and Oneness

January 15th, 2013

Poetry is an important aspect of Traditional Japanese Reiki. The Usui Reiki Ryôhô Gakkai  included 125 poems, called waka, in the hikkei, or handbook, given to members. Meditations on gyosei, the poetry written by the Meiji Emperor, reflect the nationalism of the time that the system of Reiki was developed. But beyond the patriotism of honoring the Emperor, contemplation of poetry provides an experience of the oneness that is the basis of the spirituality of Reiki.

Waka means Japanese (wa) poem (ka). These poems follow a specific syllabic structure of five lines consisting of 5 – 7 – 5 – 7 – 7 syllables (translations may or may not try to follow the syllabic structure). Traditionally the poems often dealt with nature, such as the beauty of flowers, the sounds of birds or the change of the seasons. When we remember that Shintoism, the national religion of Japan, honors the spirits or kami that inhabit all things, it is easy to recognize the inherent spirituality of these poems.

In many of the waka, a parallel is drawn between the human narrator of the poem and the natural phenomenon that is its subject. This creates a sense of unity between ourselves and the divine as expressed through nature.

One of my favorite poems is:

1.
As a great sky in clear light green
I wish my heart would be as vast.

I started off my Reiki class with this poem on Thursday and one of the participants immediately let out a huge sigh of relaxation. Simply recite the poem, slowly, being aware of the flow of energy on the voice, and allowing your imagination to suggest the feeling of your kokoro, your heart/mind/spirit, expanding until it is as broad and open as the sky. Many people will be aware of an immediate shift, a lightening and expansion of their energy as they see themselves becoming like this aspect of divine nature.

Being able to see ourselves in relation to the universe, to feel ourselves converge with the natural world, to dissolve the barriers that keep us separate from all that is, is one of the powerful outcomes that arises from the contemplation of waka. The experience can also be very healing: to heal means to become whole, and not only must we become whole within our own body and mind, we return to wholeness with all that is. By finding this place of divine unity, the disease of our fractured selves experiences the perfection of unity and we heal as the spiritual blueprint of our body comes into alignment with divine perfection.

Many waka address the change of seasons. They might try to capture the exact moment that identifies the transition from one season to the next,

2.
When autumn came
My eyes clearly
Could not see it, yet
In the sound of the wind
I felt it.

or they might comment on how the season has shifted unobserved.

3.
Deep within the mountains
That Spring has come remains unknown;
On my pinewood door,
Slowly strike
Droplets of snowmelt.

For me, these poems address the transitions that we each experience in life. All of life moves in cycles, and to recognize the natural progressions and changes, the innate ebb and flow of our existence, helps us to release expectation and find our own stillness and stability as the fickle world changes around us. Rather than being caught up in the trends of the material world, hoping to ride a wave that will never break or getting caught in the mourning of the loss felt during a period of ebbing personal resources—whatever those resources might be—these poems remind us that larger cycles provide stability during the shifting cycles of life.

4.
The moon of the autumn night still remains as same as long time ago but so many people passed away from this world.

When these poems address the idea of identifying the moment of change,

5.
The scattered petals
Carried on the waters
Answer but one question:
In the mountains, spring
Has passed completely.

they encourage us to, like the narrator of the poem, step into the objectivity of the observing mind, to look at our lives and see the moments of transition. By shifting to this perspective, we arise from the ephemerality of existence and connect with our higher self which reflects the divine and accepts stillness. This objectivity allows us to move easily through life transitions.

********************

If you would like to know more about meditation with waka or the gyosei from the Usui Reiki Ryôhô Hikkei, please check out my class on Reiki Meditations.

  1. Poem by Meiji Emperor, translated by Hyakuten Inamoto, from the International House of Reiki website.
  2. Poem by Fujiwara no Toshiyuki, from the Japan 2001 Waka Website
  3. Poem by Princess Shokushi, from the Japan 2001 Waka Website
  4. Poem by Meiji Emperor, translated by Amy Dean, from The Reiki Threshold translation of the hikkei.
  5. Poem by Fukayabu, from the Japan 2001 Waka Website.

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Joy Vernon is a Reiki Practitioner and Teacher in Denver, Colorado. She is trained in two styles of Traditional Japanese Reiki: Usui Reiki Ryôhô and Komyo Reiki, as well as the Western-influenced Usui Tibetan tradition of Reiki. Joy is also a Certified Professional Tarot Reader. For information on upcoming classes or to schedule an appointment, please visit JoyVernon.com.

© 2013 by Joy Vernon. All rights reserved.

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The Year of the Lovers

December 31st, 2012

Numerologically, 2013 is a 6 year (2 + 0 + 1 + 3 = 6), so the tarot card for this year is Trump 6, the Lovers. The year card indicates common themes that will play out throughout this twelve-month period. I hesitate to make sweeping generalizations based on such simple numerology, but when you look at the year card as a general backdrop against which all the variety of life’s events play out, it can give shape and context to the year.

To make this process more personalized, you can determine your personal year card. To do that, add the month and date of your birth, plus the current year: month + date + 2 + 0 + 1 + 3. If you were born on Jan 1 (regardless of the year of your birth), you would add 1 + 1 + 2 + 0 + 1 + 3 = 8, so your personal year card would be Trump 8, Strength. Always reduce the sum to a number between 1 and 22 to find your tarot card (22 is the Fool). So someone born December 31 would add 12 + 31 + 2 + 0 + 1 + 3 = 49, 4 + 9 = 13, which is between 1 and 22, and indicates Trump 13, Death, the card of endings and transformation. Your personal year card indicates your unique themes for the year. Reading the general year card and your personal year card together provides more specific information.

The Year of the Lovers

The first thing that usually comes to mind for the Lovers card is its most literal interpretation: love and sexuality. Other cards that represent love include Temperance, Ace of Cups, Two of Cups, Six of Cups and the Cups court cards. Other cards that represent sexuality include Temperance, the Devil, Knight of Swords and the Ace of Wands. Temperance, like the Lovers, can represent both love and sex, but solely from a spiritual perspective: the mixing of two souls. The symbolism of the Lovers includes the meaning of a deeper spiritual connection, but this card starts with the basics — carnal pleasure. But unlike the Devil card, which can allow physical pleasure to descend into control and manipulation, the Lovers represents the kind of chemistry between two people that includes tenderness and affection and which can derive from love or can grow into love. The card also indicates the development of love and sexuality into a deeper spiritual connection.

Relationships

The Lovers card is a positive indicator for relationships. During a Lovers year, romantic relationships will become stronger and can move to the next level. Friends might become lovers, lovers will connect on deeper levels of affection and intimacy, true love quickens into the profound unity of a soul deep connection. Relationships that are not a good match will be free to dissolve amicably this year (depending on your personal year card) allowing new opportunities for deeper connections to be pursued.

Those looking for romance will be successful, although those looking for no strings attached relationships might be surprised by the deeper connection that they forge with their partner.

Non-romantic relationships including friendships and familial relationships will experience a period of closeness this year. A deeper sense of intimacy and connection will develop.

Career/Work

When the Lovers card comes up in a career question, it generally represents finding a work situation that is a perfect match for your skills and talents and that is enjoyable. The general meaning of partnership expressed in the symbolism of the card indicates that this is a good year for connecting with a partner. Combining forces, business partnerships, joint ventures, any connection that involves an equal balance of power and a pleasurable personal interaction will be indicated.

Money/Finances

The theme of partnerships and connections will play out in the world of finances. Depending on your personal year card, this can be a great year for finding a pleasant and easy to work with financial advisor. This is a year for generosity in helping loved ones financially, and for receiving windfalls from loved ones. Major expenditures might include travel to be with good friends or family. This is not a year for autocratic decisions about money, but a time for getting input from all involved. Money invested in your children’s future will show a good return.

Spirituality

Devotional practices will provide an excellent way to connect on a deep personal level with Spirit. Partnerships, both on the physical plane, such as a spiritual mentor, or astral, such as spirit guides, can help you achieve deeper spiritual understanding. Bringing compassion to painful feelings of loss and separation will allow for healing. Non-spiritual relationships and pleasurable experiences can spur you to seek spirituality or deeper meaning.

Have a happy 2013!

 

_________________________________________________

Joy Vernon is a Certified Professional Tarot Reader and Reiki Teacher in Denver, Colorado. Her specialty is the Empyrean Key Transformational Guidance, which combines energetic and esoteric modalities to help her clients break through blocks and align themselves with their higher purpose. For information on upcoming classes or to schedule an appointment, please visit JoyVernon.com.

© 2012 by Joy Vernon. All rights reserved.

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Christmas Present

December 21st, 2012

Welcome to the Tarot Blog Hop!

An international group of tarotists are all writing on the same topic and then linking to each other so that the reader can hop from one blog to the next, seeing all the permutations and facets that the topic inspired in different writers. You can leave my blog and hop back to Tarot in the Land of Mystereum by Jordan Hoggard. Or read ahead here and then hop forward!

 

 

 

Christmas Present

Our charge this Blog Hop is to address the idea of Christmas Present, however we may interpret that. When I hear that phrase I think of Charles Dickens’s A Christmas Carol. In this story a man brings about a great personal change through taking a clear look at his past and likely future. By placing his present in this perspective, he is motivated to institute immediate changes in order rectify a dismal future.

The present of course is the only time we can make changes in our lives. If we say next week, next month, next year, we increase the chances that we’ll never start our changes. That said, it can be nice to allow the symbolism of  cycles to inform and reinforce our intentions. Many people like to set New Year resolutions on January 1 because the changing of the annual calendar provides a blank slate. Likewise, people who like to work with natural cycles might find their blank slate at the time of the winter solstice, the longest night of the year and the time of greatest darkness. The sunrise at this time more than ever promises that all cycles end and are renewed. Today is the day to say to ourselves, “This is as dark as it gets and it will get no darker. I accept the promise of the sunrise as a commitment to growth, improvement and enlightenment.”

Christmas Present is the idea that we see each present moment in our lives as Christmas Present–the dawn of the solstice, the perspective of past, present and future. What would it be like to bring a sense of Christmas Present to every day of the year? To see the end of the world in every long night, and the dawn of a vast new cycle with every sunrise? To know that every outbreath is our last, and every breath in our promise and commitment to creating the best possible future for ourselves?

This tarot spread helps you place the present moment in a context of nested cycles so that you can discover how an immediate change in this moment, your Christmas Present, can help create transformation that ripples out throughout the larger concerns of your life. Ask a question to focus in on a particular issue or let the cards unfold naturally to find how to change lifelong, or even karmic, cycles.

1. The End of the Mayan Calendar. This represents your largest cycle. It is the ribbon around your Christmas Present. It is a cycle that has shaped your overall outlook on life and will address long-term unresolved issues that you are ready to resolve. The issues represented here are likely to be ingrained subconsciously and might take some contemplation to see clearly.

2. Start of a New Age. This is the future that will result from resolving this largest cycle or the optimism that you can carry forward as a new life philosophy.

If you ask a question, you can give greater focus to the reading and it will be clearer what the time frame of each cycle is. However, if you choose not to ask a question, cards 1 and 2 will most likely represent either the big picture cycle of whatever is most dominant on your mind now, the cycle of your full life span, or even a karmic cycle that you are still playing out.

3. Darkest Night. This is the middle cycle. It can represent a several year cycle, a single year, or a shorter time depending on the time frame of the question. It is the wrapping paper around your Christmas Present. This card represents the immediate problem or issue as you are conscious of it playing out in your life currently.

4. Dawn of a New Year. This is the change that will take place on the conscious level and that will most likely be seen clearly outside of you as a resolution of your real-world problems.

5. Release the Out Breath. This is the shortest cycle, the moment of immediacy. This is the box your Christmas Present is in. You might not have control over this moment–breathing is a autonomic function–but you can bring awareness and acceptance to that moment, and that is the key to changing your life.

6. Accept the In Breath. This is the perspective change of your acceptance of the perfection of every moment of your life.

Cards 5 and 6 show the very smallest and most immediate cycle. By recognizing that change can only be made in the immediate moment, by accepting the beauty, peace, perfection and newness of every breath, can we create a positive future.

7. Your Christmas Present. This card addresses either the tarot’s perspective of your current situation or a call to action that is simple, easy, and capable of being taken at this moment. Shifting to this perspective or taking this action will set the entire spread in motion, allowing the outcomes of each cycle to play out for the highest good of all.

“Wow, I got some difficult cards in my present or future. What do I do?” This is one of the greatest fears surrounding tarot readings and can trip up even the most advanced reader (second only to getting all court cards ;-) ) I have seen time and again people in classes and workshops with me pull a challenging card and then want to bail on the reading, with excuses like they weren’t focused, they didn’t shuffle right, they’re not feeling well, etc. However, when we really spent some time with these cards, each and every time we found a beautiful gift within it, once the fear was stripped away. Accept your difficult cards as deep revelations, be calm and approach them with compassion for yourself, and honestly and fearlessly accept the life-changing insight offered by the card.

Your Next Stop

Hop off my blog and onto Claire-Marie Le Normand’s Beauty, History Magic (please note that this site features images from Claire-Marie’s Vintage Erotica Tarot, Le Tarot des Femmes Erotiques, which contains nudity) or visit the master list of all the blogs.

 

Tarot Blog Hop Master List

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Joy Vernon is a Certified Professional Tarot Reader and Reiki Teacher in Denver, Colorado. Her specialty is the Empyrean Key Transformational Guidance, which combines energetic and esoteric modalities to help her clients break through blocks and align themselves with their higher purpose. For information on upcoming classes or to schedule an appointment, please visit JoyVernon.com.

© 2012 by Joy Vernon. All rights reserved.

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Compassion

December 15th, 2012

Thursday night I taught Enkaku Chiryo Hô, the technique for remote healing, to my Okuden students (Reiki level 2). We learn a variety of traditional and non-traditional methods for treatment, as well as discussing the philosophy behind the practice. Then we do two different healings using two different techniques. I always have each person do a healing for an individual of their choice, then we do a group healing for a bigger community-wide or worldwide situation. As it turned out, the philosophical lesson I learned that night was immediately offered to me the next day as a real-life challenge.

Thursday night I asked what they wanted to do for the group healing and one person suggested the civil war in Syria. I’m embarrassed to say that current events is not a strong suit of mine. Other than knowing that country was in the headlines, I didn’t know any of the details of what was happening there. But of course knowledge isn’t necessary for healing, and as we began our group meditation I let my mind contemplate a country that was torn by war and a government that destroyed its citizens. Not knowing anything about the leadership of the country, I attempted to connect with the government to bring compassion and healing. I felt that this was rebuffed and compassion was overshadowed by zealotry. I then attempted to connect with the militants who were the perpetrators of the violence, and again found no connection on the level of compassion. Finally I moved my awareness to the victims of this divided country and amid the sense of horror and helplessness I felt an openness to compassion. Was it true? Was it possible that the abused could feel compassion for their abusers? And yet I realized it was the only possible solution; these were the only people in the cycle capable of compassion.

One of the precepts of Reiki is “Be compassionate for yourself and others.” The more removed we are from an event and the people involved the easier it is to experience the enlightened abstraction of compassion. To bring that compassion down out of its comfortable spiritual realm and shine its light into the dark and painful shadows of hurt, despair and sorrow can be uncomfortable and sometimes painfully impossible as rage and anguish eclipse it. The word compassion means to suffer with, and true oneness, divine unity, insists that we experience the pain in order to release it.

After hearing yesterday about the tragedies of the killed and wounded schoolchildren in Connecticut and Beijing, I pulled some cards to answer the question, “How can the tarot help us heal?” Three sets of paired cards produced Justice reversed and the King of Cups: compassion for unfair events, or events that upset our emotional balance; the Wheel of Fortune and the Queen of Wands: putting energy into bringing about change; and the Ten of Wands paired with the Seven of Swords: what responsibility do we bear when we feel violated? Tarot helps us heal by always reminding us that the only thing in life we have control over is ourselves and our actions. No one can take away from us our ability to choose how we respond to overwhelming circumstances.

For myself, I recognized the harmonious symmetry of having realized one day the abstract concept that the victim must be compassionate for the perpetrator because it is the only channel for compassion to enter the situation. And the following day I was offered an opportunity closer to home, less abstract, to offer compassion to those who suffer and those who create suffering. So today I ask myself to bring my responsibility one step closer yet and ask who has brought suffering into my life and how can I bring the oneness of the divine to that situation and experience both the pain they feel that causes them to create suffering for others as well as my own feeling of the pain they caused me. I found something deeply personal and surprisingly relevant as I sunk my awareness into my own experiences to find my hurt and the corresponding compassion that would release it. What suffering in your life demands the divine unity of compassion?

_________________________________________________

Joy Vernon is a Certified Professional Tarot Reader and Reiki Teacher in Denver, Colorado. Her specialty is the Empyrean Key Transformational Guidance, which combines energetic and esoteric modalities to help her clients break through blocks and align themselves with their higher purpose. For information on upcoming classes or to schedule an appointment, please visit JoyVernon.com.

© 2012 by Joy Vernon. All rights reserved.

 

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